Scary moments in non-horror games can sometimes be even scarier than horror games themselves, as they are often unexpected or stand at odds with the tone of the rest of the game. As a result, these scary moments tend to linger with the player long after the game is over, even if the rest of the experience wasn't sc
Having a voice helps make the conversations feel more natural, and if we had a way to choose how our characters voice sounded like Dragon Age did, it'd help add that flair to the customisation of your hero. Or perhaps it'll just do what Cyberpunk 2077 does and makes you feel as if you're experiencing a character's journey rather than your
The Elder Scrolls: Skyrim is a game that bleeds with interactive lore, with players picking up books about Argonian erotica or backstories on different cities. The Witcher, Assassin's Creed Valhalla, Cyberpunk 2077, all have in-game notes to find that add even more information of the world to your lore memory bank. But with Fable, if memory serves me correctly, the lore was tucked away on an external official website rather than available in-g
Fable 2 was set 500 years after the original story, and Fable 3 set only 50 years after the second game. The game's creator, Peter Molyneux told IGN that the time jumps between each games time periods were a “big mistake” and so I'm confident that Playground Games may honour that thinking and just send things back to simplicity. I'd like to see a game set somewhere in those 500 years but through a story that doesn't deteriorate the lore for Fable 2 an
Regardless of how the story and setting would go, I think Jack of Blades would be able to harness some form of evil powers to return once again and cause havoc in the world. Whether the player takes on the role of a new hero or even having some ties to the hero from the first game could obviously result in good old Jacko wanting to seek revenge before looking to unleash h
After traveling through the Bloodstone Demon Door, Fable 2 players are transported to a peaceful, snowy path in the woods. If they follow the path, which looks like something from a Christmas painting, they eventually come to a cozy lodge nestled deep among the trees. Upon entering the lodge, things take a turn for the weird. A piercing music note signals the lodge turning into a dilapidated version of itself, complete with a skeleton lying on the kitchen ta
Marking the series' first foray into the next generation of games, Timesplitters 4 would be able to capitalize on the current hardware in order to expand on everything that made the earlier games so memorable. The series has always focused on familiar, arcade gameplay and this installment should be no different. With the increased memory of current consoles, this would mean even larger, more diverse worlds to explore, more imaginative characters to interact with and play as, and in keeping with what the series is best known for, an even more frantic multiplayer experie
Super Mario 64 is a game full of bright colors and family-friendly platforming action, which makes the inclusion of the Big Boo's Haunt level rather jarring. Set in a haunted mansion, the level creates a creepy atmosphere with its dark, depressing visuals and the unsettling cackling of ghosts from off-scr
Jack of Blades has managed to remain one of my all-time favourite antagonists in a video game. Partly down to his badass personality, but mostly for that iconic mask. Jack of Blades doesn't make an appearance in the sequel and threequel, and I think if the new game was to be set after the events of the first game, then having some way of summoning him back to Albion would be a good way to bring back an iconic evil charac
There may be iconic silent protagonists such as Crash Bandicoot and Gordon Freeman, but these I feel like Fable needs to have some in-depth voice acting for a protagonist this time around. The other games have all had a silent protagonist who only seems to communicate in emotes. The original game lacked even a scr
One of the main reasons the story falls so flat is your character’s infinite silence. The only way to communicate with other characters is through a series of expressions that only really serve to illicit a base reaction from any NPC that sees them without any real discourse. Sure using the right expression will curry favor with the townspeople of Albion, and the wrong one will help to make them view you are boorish and rude, but it helps to illustrate the core issue with Fable II’s system. The game becomes about the choices you make, but not necessarily about the characters that those choices may alter. Due to the one-dimensional townspeople and lack of real interaction, scenes that should have some amount of emotional resonance fall significantly short. The only real feeling you have for any character is for your faithful canine companion, and even that is tenuous.
Fable 2 and 3 were great games for many reasons, but they were also great games because of the good boy you get to have at your side throughout. Having the woofy little pupper helping you out in your Adventure games news to locate treasures and defend you in battle made it feel great to have a dog. And with the gaming industry's obsession with petting random dogs in game worlds, why not give players the chance to pet their own companion at any given t